flowerbomb
       
     
trees and fences
       
     
Depths
       
     
bloodsport/wild
       
     
high fructose OR all our corn goes to Japan
       
     
flower(s) and moon(s): Mitch Hedberg said it takes more than lemons and limes
       
     
I don't know what you need and you won't tell me.
       
     
girls travels / if you say so
       
     
How do I leave you like this?
       
     
Matt says it's "bokeh" in film-speak
       
     
Bug in the gears
       
     
devour
       
     
Seeds and Roads I
       
     
Seeds and Roads II
       
     
once upon a time upon the ocean
       
     
no longer a record collection played on a Fisher-Price record player
       
     
untitled
       
     
Seeds and Roads III
       
     
Primal memory = we all scribble the same stuff
       
     
Save the Green Blobs
       
     
the girl in the tree, pt 3
       
     
no matter what you see
       
     
these flowers are broken
       
     
she says city, he says singularity
       
     
who claims the symbol in a game called claim the symbol / blue in a red sea
       
     
wish you were here
       
     
urban accident
       
     
Portal 1
       
     
Mix Studios, main street in a small town
       
     
received_2478924218819716.jpeg
       
     
Miles left his bike in our pollinator yard
       
     
stable foundation + broken blinds
       
     
flowerbomb
       
     
flowerbomb

24” x 24” acrylic and alcohol ink on canvas, NFS

Sara McNeilly Ammon, 2016

trees and fences
       
     
trees and fences

8” x 8”, acrylic paint and alcohol ink on canvas

Sara McNeilly Ammon, 2018

Depths
       
     
Depths

24” x 18” acrylic on canvas, currently on loan to KHN Center for the Arts from Hugo’s Art Galleries (Omaha, NE) - contact information for price and selling information available upon inquiry

Sara McNeilly Ammon, 2016

bloodsport/wild
       
     
bloodsport/wild

12” x 12” acrylic and alcohol ink on canvas, SOLD

Sara McNeilly Ammon, 2016

high fructose OR all our corn goes to Japan
       
     
high fructose OR all our corn goes to Japan

12” x 12” acrylic on canvas, SOLD

Sara McNeilly Ammon, 2016

flower(s) and moon(s): Mitch Hedberg said it takes more than lemons and limes
       
     
flower(s) and moon(s): Mitch Hedberg said it takes more than lemons and limes

11” x 14” acrylic on canvas

Sara McNeilly Ammon, 2018

I don't know what you need and you won't tell me.
       
     
I don't know what you need and you won't tell me.

20” x 16” acrylic paint and alcohol ink on canvas, SOLD

Sara McNeilly Ammon, 2018

girls travels / if you say so
       
     
girls travels / if you say so

12” x 12” acrylic and alcohol ink on canvas

Sara McNeilly Ammon, 2018

How do I leave you like this?
       
     
How do I leave you like this?

24” x 24” acrylic on canvas, NFS

Sara McNeilly Ammon, 2018

Matt says it's "bokeh" in film-speak
       
     
Matt says it's "bokeh" in film-speak

26” x 20” acrylic paint and alcohol ink on canvas, SOLD

Sara McNeilly Ammon, 2017

Bug in the gears
       
     
Bug in the gears

7” x 5” acrylic on canvas

Sara McNeilly Ammon, 2018

devour
       
     
devour

18” x 24” acrylic on canvas

Sara McNeilly Ammon, 2018

Seeds and Roads I
       
     
Seeds and Roads I

acrylic paint on hand-cut paper carving, SOLD

Sara McNeilly Ammon, 2018

Seeds and Roads II
       
     
Seeds and Roads II

8” x 10” acrylic paint on hand-carved paper sculpture

Sara McNeilly Ammon, 2017

once upon a time upon the ocean
       
     
once upon a time upon the ocean

5” x 7” acrylic on canvas, SOLD

Sara McNeilly Ammon, 2018

no longer a record collection played on a Fisher-Price record player
       
     
no longer a record collection played on a Fisher-Price record player

24” x 36” acrylic on canvas, SOLD

Sara McNeilly Ammon

untitled
       
     
untitled

12” x 12” nail polish on hand-cut paper carving, SOLD

Sara McNeilly Ammon, 2016

Seeds and Roads III
       
     
Seeds and Roads III

8” x 12” acrylic paint on hand-carved paper sculpture

Sara McNeilly Ammon, 2017

Primal memory = we all scribble the same stuff
       
     
Primal memory = we all scribble the same stuff

12” x 12” acrylic on canvas, SOLD

Sara McNeilly Ammon, 2017

Save the Green Blobs
       
     
Save the Green Blobs

12” x 12” acrylic paint and alcohol ink on canvas

Sara McNeilly Ammon, 2016

the girl in the tree, pt 3
       
     
the girl in the tree, pt 3

30” x 22.5” watercolor and ink on paper, NFS

Sara McNeilly Ammon, 2017

no matter what you see
       
     
no matter what you see

8” x 8” acrylic paint and alcohol ink on canvas, SOLD

Sara McNeilly Ammon, 2018

these flowers are broken
       
     
these flowers are broken

12” x 12” acrylic on canvas, in a private collection

Sara McNeilly Ammon, 2018

she says city, he says singularity
       
     
she says city, he says singularity

12” x 12” acrylic paint and alcohol ink on canvas

Sara McNeilly Ammon, 2017

who claims the symbol in a game called claim the symbol / blue in a red sea
       
     
who claims the symbol in a game called claim the symbol / blue in a red sea

12” x 12” acrylic on canvas, in a private collection

Sara McNeilly Ammon, 2017

wish you were here
       
     
wish you were here

5” x 7” acrylic on canvas

Sara McNeilly Ammon, 2018

urban accident
       
     
urban accident

7” x 5” paint marker and acrylic paint on canvas panel, SOLD

Sara McNeilly Ammon, 2018

Portal 1
       
     
Portal 1

11"x14", ISO 400 HP5 35 mm film photo from Ilford disposable camera/darkroom processed/printed, available matted and framed

Sara McNeilly Ammon, 2019

Mix Studios, main street in a small town
       
     
Mix Studios, main street in a small town

11"x14", ISO 400 HP5 35 mm film photo from Ilford disposable camera/darkroom processed/printed, available matted and framed

Sara McNeilly Ammon, 2019

received_2478924218819716.jpeg
       
     
Miles left his bike in our pollinator yard
       
     
Miles left his bike in our pollinator yard

11"x14", ISO 400 HP5 35 mm film photo from Ilford disposable camera/darkroom processed/printed, available matted and framed

Sara McNeilly Ammon, 2019

stable foundation + broken blinds
       
     
stable foundation + broken blinds

11"x14", ISO 400 HP5 35 mm film photo from Ilford disposable camera/darkroom processed/printed, available matted and framed

Sara McNeilly Ammon, 2019